Six of us had a lively sketching session at Fabrica la Aurora, a complex of galleries, studios and shops which used to be a textile factory. It was a Thursday, so the topic was THINGS: still life or objects such as potted plants, tall space heaters, ornate lamps. Here are the sketchbooks we “throw down”at the end of the class.
A large group of urban sketchers met in Nob Hill yesterday to sketch the enormous and breathtaking Grace Cathedral. Featured sketchers were the Aussie women, Liz Steele and Jane Blundell. Notice my “leaning spire” in one of the sketches below. After seeing some of the sketches by others, I decided it is a feature, not a bug!
I spent several hours enjoying the sights and sounds at the annual Fillmore Jazz Festival in San Francisco on Sunday. In this sketch I began with some of the onlookers, using a Micron 08 pen. That woman with the backpack on the left is Jean, one of the two students who came with me for the event. For contrast, the band is drawn with a bolder pen, the Faber Castell SB (small brush) pen.
The singer was wearing a bright red outfit, so I continued that theme for color. A yellow stripe on the street suggested the secondary color. I figure most sketches can be done successfully with a minimum number of colors. Unless, you’re using a rainbow pencil, as I did for the lively dancers, here.
Continuing to work with tan paper, on a handy 5.5 x 8.5 inch spiral-bound sketchbook that fits snugly into one of the pockets on my “gardeners’ vest.”
I like to stick with black and white as much as possible. The Farmers’ Market sketch benefits from a dash of color.
Here are some sketches created during a choral concert. Some lines were done “blind”, that is, without looking down at the paper. That is a great method for practicing eye-hand coordination.
Once a month, throughout most o the year, there is an outdoor Antique Market at the Civic Center complex in San Rafael. It’s a great place to find a wide variety of objects, artifacts, vintage bits and pieces to draw! Working with tan paper, using a thin pen (Micron 08) and a Brush Pen, along with a Prismacolor white pencil. I had a white gel pen with me, too, but it had dried out.
When working with toned paper, I like to stick with black-and-white as much as possible, but sometimes the right color can make quite a difference. A bit of yellow ochre pencil helps to sketch the brass objects.
I had the opportunity to practice working on toned paper at a birthday party for a fellow sketcher. Several other urban sketchers were guests, and we all enjoyed drawing each other in the dim light of the Tonga Room at the Fairmont Hotel. The tropical umbrella drinks may have helped!
The San Rafael Thursday sketchers had their first session working with toned paper. After a warmup at the Rileystreet Art store, we went on location to Knimbles, a resale shop that features clothing, shoes, jewelry and a wide variety of ornamental objects. The challenge in working with tan or gray paper is to allow the paper color to be the mid-tone, while using black for darker areas and white for highlights. Choosing an appropriate subject is also part of the process.
Here are some sketches on tan paper, from several years ago. Using black ink and a white Prismacolor pencil (or white gel pen) works well to create highlights and shiny bits. I apologize to my students for the symmetry of the sketch with a fountain! I keep telling them that “symmetry is for sissies!”
I prefer to omit color and stick with black and white. The color of the paper provides the mid-tones. I added the Strathmore Toned Tan sketchbook 5.5 x 8.5 inches to my materials list for workshop students.
Another fine day for sketching outdoors. Just two blocks away from our workshop HQ at Rileystreet Art Supply is the magnificent Mission San Rafael Arcangel. I encouraged students to divide their sketchbook page into two or three sections and to zoom in on interesting elements of the main church or adjunct structures.
Student work shown here is by Michael, Nathalie and Kimberly. We also see Victoria working on a sketch of the bronze bells with their wooden support.
Five students joined me on a road trip down the coast to sketch Hearst Castle, with stops in between for sketching in Capitola and Old Monterey. Capitola features a brightly colored motel complex, as well as a beach scene. We had a delicious lunch at Zelda’s. We arrived at our airbnb house in Cambria, which featured sweeping views of forest and the ocean. After breakfast, sketching on the main street of Cambria, with a variety of cafes, galleries and store fronts to draw.
Hearst Castle offered us a rich variety of subjects! Architectural elements from the Mediterranean, marble statues, and a breathtaking collections of artifacts from all over the world.
On the way back home, our last stop was Monterey, for lunch at Rosines’ and sketching the outer walls and decorative elements around “Orientations”, an Asian antique store. We all tackled the challenge of the “wavy wall” and carved stone lamps. Along with my sketch, here’s an excellent one by Patty.