Six of us had a lively sketching session at Fabrica la Aurora, a complex of galleries, studios and shops which used to be a textile factory. It was a Thursday, so the topic was THINGS: still life or objects such as potted plants, tall space heaters, ornate lamps. Here are the sketchbooks we “throw down”at the end of the class.
A large group of urban sketchers met in Nob Hill yesterday to sketch the enormous and breathtaking Grace Cathedral. Featured sketchers were the Aussie women, Liz Steele and Jane Blundell. Notice my “leaning spire” in one of the sketches below. After seeing some of the sketches by others, I decided it is a feature, not a bug!
On Thursday, August 3rd, I gave my San Rafael workshop students a challenge that I learned from the recent Urban Sketchers Symposium. After a warmup with photos from great Chicago architecture, we went to City Plaza down the street. The task— combine three points of view into one sketch. (Thanks to Veronica Lawlor for that exercise). Here are some of the results. Thanks to Anne, Kimberly and Stephanie
Chicago, my home town, hosted the 8th annual Urban Sketching Symposium, with over 500 sketchers attending worldwide. What a great opportunity to return after 25 years, to see the familiar as well as new architecture and art.
The Falkirk Mansion in San Rafael is just a few blocks away from our workshop HQ at Rileystreet Art Supplies. It is a favorite venue for us, due to the amazing architecture of the mansion and the breathtaking variety of plant life in the gardens. The scattering of sculpture and found-object artwork adds even more to the array of choices to draw. Here are some sketches by students.
Jean Gjevik’s delightful sketch of a section of the mansion has a fairy-tale quality.
Patty chose to feature the decorative glass on the veranda, in the shade!
Stephanie chose a whimsical sculpture, paired with an aloe plant. She makes them look as if they are dancing together
Kimberley manages to combine three views very successfully: a large stone planter, a front view of the mansion and a section of the veranda.
Anne captured the colors and curves of the mansion.
I spent several hours enjoying the sights and sounds at the annual Fillmore Jazz Festival in San Francisco on Sunday. In this sketch I began with some of the onlookers, using a Micron 08 pen. That woman with the backpack on the left is Jean, one of the two students who came with me for the event. For contrast, the band is drawn with a bolder pen, the Faber Castell SB (small brush) pen.
The singer was wearing a bright red outfit, so I continued that theme for color. A yellow stripe on the street suggested the secondary color. I figure most sketches can be done successfully with a minimum number of colors. Unless, you’re using a rainbow pencil, as I did for the lively dancers, here.
Continuing to work with tan paper, on a handy 5.5 x 8.5 inch spiral-bound sketchbook that fits snugly into one of the pockets on my “gardeners’ vest.”
I like to stick with black and white as much as possible. The Farmers’ Market sketch benefits from a dash of color.
Here are some sketches created during a choral concert. Some lines were done “blind”, that is, without looking down at the paper. That is a great method for practicing eye-hand coordination.
Once a month, throughout most o the year, there is an outdoor Antique Market at the Civic Center complex in San Rafael. It’s a great place to find a wide variety of objects, artifacts, vintage bits and pieces to draw! Working with tan paper, using a thin pen (Micron 08) and a Brush Pen, along with a Prismacolor white pencil. I had a white gel pen with me, too, but it had dried out.
When working with toned paper, I like to stick with black-and-white as much as possible, but sometimes the right color can make quite a difference. A bit of yellow ochre pencil helps to sketch the brass objects.
Here are some sketches on tan paper, from several years ago. Using black ink and a white Prismacolor pencil (or white gel pen) works well to create highlights and shiny bits. I apologize to my students for the symmetry of the sketch with a fountain! I keep telling them that “symmetry is for sissies!”
I prefer to omit color and stick with black and white. The color of the paper provides the mid-tones. I added the Strathmore Toned Tan sketchbook 5.5 x 8.5 inches to my materials list for workshop students.