Five students joined me on a road trip down the coast to sketch Hearst Castle, with stops in between for sketching in Capitola and Old Monterey. Capitola features a brightly colored motel complex, as well as a beach scene. We had a delicious lunch at Zelda’s. We arrived at our airbnb house in Cambria, which featured sweeping views of forest and the ocean. After breakfast, sketching on the main street of Cambria, with a variety of cafes, galleries and store fronts to draw.
Hearst Castle offered us a rich variety of subjects! Architectural elements from the Mediterranean, marble statues, and a breathtaking collections of artifacts from all over the world.
On the way back home, our last stop was Monterey, for lunch at Rosines’ and sketching the outer walls and decorative elements around “Orientations”, an Asian antique store. We all tackled the challenge of the “wavy wall” and carved stone lamps. Along with my sketch, here’s an excellent one by Patty.
Just returned from my week-long sketching workshop in San Miguel de Allende, Mexico. So many fascinating people, places and things to draw! This was the week of Dia de los Muertos, so we got to see a wide array of displays associated with this holiday. Decorated skulls, Catrina figures (those glamorous skeletons, with the wide-brimmed hats) and more.
Lisbon was the last stop on our concert tour. Sketch above shows a section of the huge Jeronimo’s monastery in the Belem neighborhood. The OLA frozen treat stand was actually on the opposite corner, but it made a great contrast to the monumental architecture.
Pauline and I stayed an extra four days in a 3rd story flat that she found through airbnb. Here’s a view from our bedroom window in the Bairro Alto neighborhood.
After riding on the famous tram #28, we stumbled upon a flea market, at the foot of the Panteao Nacional.
The Rua Augusta Arch is the center of a lively commercial district, where we had an elegant lunch. On the opposite side of the arch is the waterfront, the site of Eurocup activity, including jumbotron video of matches. During our visit, Portugal beat Croatia, and there was quite a bit of yelling, cars honking and whatnot. Several days after we returned home, Portugal actually won the Eurocup! YAY!
In Seville, we enjoyed a Flamenco performance and paella dinner. I found more Moorish architecture to draw. The building with a green-and-white striped tile dome is on the Avenida de la Constitucion.
In addition to the usual waterproof black pen and aquarelle colored pencils, I added some decorative scribbles with a white gel pen.
Continuing to catch up with sketches from Spain, the highlight of this town is the Cordoba Mosque. The breathtaking series of candy-striped arches is shown here, along with my attempt to capture it on paper.I also had the opportunity to sketch a street scene, featuring this “Marrakesh” souvenir shop. While I was working, the owner of another shop, just out of frame, came to his doorway and offered me a chair. I was nearly finished, so I declined, but I crossed the street to show him the sketch. He immediately brought me next door to meet the owner of the Marrakesh shop. He took a photo of the page, and we agreed to Friend each other on FaceBook.
After three weeks of sketching in the Iberian Peninsula, I’m eager to catch up. Let’s begin with Barcelona, the only city on this trip that I had visited before—22 years ago. The moderniste architecture was even more amazing than I remembered. Variable thickness lines in the sketch above were done with a Sailor bent nib fountain pen. When the pen dried up, I searched for waterproof ink all over Barcelona, with my new friend…Maria Picasso, a fellow member of ISCA, the International Society of Caricature Artists.
This Barcelona skyline was improvised from the terrace at our hotel. The elements were all there, but I moved them around and changed their size. Notice the Sagrada Familia cathedral in the background…it’s still not finished! The playful forms at Parc Guell are some of Antonin Gaudi’s most delightful creations.
Join me and a small group of sketchers for a weekend road trip down the Pacific Coast: January 9-10, 2016. We’ll carpool from the Bay Area, stop in Monterey for lunch and sketching (possible locations include Point Lobos and Carmel).
Then we’ll head down to the charming town of Cambria for more sketching, dinner and check into our lodgings (to be arranged). The following day we’ll take the Hearst Castle tour and then sketch the amazing architecture and sculpture.
Workshop fee (instruction, demonstrations and personal coaching) is $120.
A deposit will confirm your space in this sketching adventure.
$60 deposit (Fully refundable if the trip is cancelled for any reason.)
Please reserve your space by December 1st!
This event is fully booked!
A week-long art course in Tuscany, Italy,
‘sketching fast and loose’™ with Rhoda Draws: 4-11 July 2015
A wonderfully relaxing painting holiday in the beautiful Tuscan countryside, spectacular scenery, wonderful food and wine. For centuries artists have drawn their inspiration from the Tuscan landscape and you could find few better places to enjoy your art and improve your skills than our beautiful historic watermill, set beside the banks of a river in a gentle, wooded valley.
You’ll also visit castles, convents, ancient walled towns, hilltop villages slumbering in the sun and the stunning World Heritage Mediterranean villages of the Cinque Terre.
“An enchanting place – I really loved it, endless delightful subjects to paint” “From the moment I stepped into my apartment and saw and heard the river, I realised it was going to be very special”
“We’ve been on many painting holidays, but this was the best ever.”
Your tutor: Rhoda Draws
Rhoda Draws (that’s her legal name, since 2009) lives near San Francisco, California, where she draws, paints and teaches workshops in sketching ‘fast and loose.’
Rhoda likes to combine her love of travel with techniques for rapid drawing ‘on the go’. Her sketchbooks are filled with drawings created in Europe, North America and the Indian subcontinent. She works with waterproof pens and aquarelle (water-soluble) coloured pencils to create a variety of styles with a minimum of fuss.
According to Rhoda, quick sketching on location is ideal for making an illustrated travel journal, for improving your observational skills and for exploring ideas for more detailed projects. She says: “If you capture the essence of a scene or monument or person in a few minutes, the result can be a finished work of art.”
We should emphasise that everything is included in the cost of your holiday at the watermill: tuition, accommodation (including all linen and towels), pre- dinner aperitifs, all meals (including meals with wine at charming local restaurants) and all local transportation (to castles, convents, hilltop villages and including transfers to Pisa airport and an excursion by train to Lucca or the Cinque Terre).
You get to Pisa, we do the rest!
Prices are in English pounds [£(GBP)]. If you book before September 2014 you can enjoy next year’s course at this year’s prices: they start at £(GBP) 1,310 (about $2,150) per person per week (based on two people sharing), with a generous discount of £(GBP) 200 (about $330) for a non-painting partner. Single rooms are £(GBP) 1,399 (about $2,300), or £(GBP) 1,499 (about $2,470) with en suite bathroom.
If you would like to enquire about availability and/or reserve your place, please contact Rhoda or email the Watermill: firstname.lastname@example.org, or call them on (UK number) +44 207 293 6246. www.watermill.net